YouTube video by Siroeno Yosui showing a montage of Ken Kataoka making wholecut Oxfords with an interested hybrid of handwelting and inside sewing constructions
Notes
- 0:03 clicking the upper
- 0:16 arm board on leather
- 0:25 soaks in water, rolls in towel to case
- 0:39 mounts over last, tacks into top plane
- drafts the toe first
- makes huge pleats
- tacks deep in, close to the center line of the last
- lets dry
- marks the topline on the leather with a silver pen
- cuts the leather away above the topline and down to where the facings come together
- pulls tacks and removes from lasts
- [shows the uppers standing up next to the lasts. The facing gaps have been cut open all the way down to the vamp points.]
- 2:01 clicks lining pieces
- 2:18 tes linings into uppers
- 2:33 punching eyelet holes in uppers and linings
- removes linings, inserts the eyelets and sets them
- star setting hand tool
- lining has separate vamp and quarters, sewn together
- 3:27 clicking side linings
- pastes the side linings to the linings
- pastes the whole lining assembly inside the upper bag
- 4:12 closing the topline
- edge beveled for trim allowance of lining within facings
- punches holes for bar tacks through all layers, sews by hand
- hangs the uppers up by their backparts
-
5:10 cutting insoles
- traces the last directly onto the bend
- dunks in water
- copper tacks insole to last
- blocks freehand
- many copper tacks, all around the edges of the insole, bent outward
- sets to dry
- pulls tacks
- finishes blocking
- Yankee welt knife on top corners
-
6:38 insole carving
- incises with leather knife
- opens with what looks like an edge creaser
- very narrow waist
- cuts channel with Yankee welt knife
- burnishes feather with wood
- [look like pretty thin insoles]
-
7:12 heel counters
- traces paper pattern
- glasses grain side
- dunks in water
- skives by hand over marble tile
- rasps and glasses flesh side
- pre-lasts
- tack at back height, tack on each side into cuboid
- many tacks around fully lasted smooth to bottom
- wets ruffles below featherline and trims away
- wets, covers in paste [looks like Hirschkleber]
- inserts into uppers wet
-
lasting
- dusts white powder onto lasts, perhaps talc
- drafts toe first
- common type lasting pliers
- 9:36 shows tons of lasting tacks around the heel, set very close together
- paints adhesive on the insole around the toe to fix the lining
- also paints adhesive under the lining while lasting it
-
10:29 clicking toe puffs
- dunks in water
- folds in towel
- strops knife on leather, likely with some compound on it
- skives over marble
- [skives with the bevel of his Japanese leather knife facing down toward the marble]
- rasps the grain side
- white paste on the lining to set the toe puff, perhaps PVA
- lasts the puff separately over the lining
- allows to dry
- pulls all tacks, trims puff
- skives the top and rasps to shape
- lots of hammering the toe puff
- same white adhesive on top before flipping upper down
- sets lasting tacks by flipping lasting pliers over and striking with the top of their beak
- lots of tacks through the toe
- bends the tacks around the toe inward after hammering the upper above
- 12:41 drives headed nails through the upper in the heel seat
- [was there a plate on the heel?]
- 12:58 lets stand
-
welting
- dunks welt in water bowl
- marks hole spacing with compass on the upper
- thread making on knee
- [looks like linen]
- curved needles
- glove on left hand
- welting board
- pierces inside-out
- saddle stitches the waist without any welt
- begins the welt four stitches behind the joint
- [doesn’t show much of his welting technique in this video]
-
14:34 cork filler
- cut from paper pattern out of sheet
- hammers over the holdfast around, then uses the cracks to peel away a stripe of excess
- rasps a lot
- lays an additional layer of cork from the heel breast up past the balls
-
15:34 Soling
- traces the whole shoe so far down on the leather, directly
- dunks in water, folds in towel
- heat gun to dry flesh side
- paints on adhesive
- cut a bit oversize
- hammers down
- blocks by hand with leather knife, backhand
- drives wide-headed nails around the heel seat
- 16:40 cutting flap for hidden channel
- cuts the flap relatively deep toward the midline
- burnishes open with wood stick
- incises channel under flap with leather knife
- 17:06 pre-pierces holes with a pegging awl in the channel, under the flap, all the way from breast to breast
- then delasts
- thread making
- [he’s sewing through the pegging awl holes, but it doesn’t show how]
- inside sewing
- puts the shoe back on the last
- glues the flap down
- burnishes outsole with wooden pin
- 18:13 heeling
- cuts out the center of one lift to make a split lift on the flat
- blocks each lift as it’s mounted
- nails through the third lift (including the split lift)
- clipped nails to make slugs to spank the top lift
- rasps heel block and edges to shape
- then glasses
- then sandpaper, bent in in hand
- marks heel breast with silver pen
- fudges after putting white protecting tape around upper above featherline
- rolls the fudge back and forth
- dunks edge iron in water to cool before using
- waist iron
- crow wheel along top edge of heel stack
- black Fiebing’s Pro Dye with paintbrush
- heats black wax over open flame before rubbing on
- [looks like maybe Columbus Wax]
- glazing iron to melt wax on heel stack
- waist and edge irons elsewhere
- burnishes with cloth over finger
- heats water over alcohol lamp
- dyes bottom of outsole black after sanding
- uses boiling water to melt straws of something yellow: shellac?
- bevel iron
- rubs bottom with cloth, too
- some tub of black shoe cream to finish, brushing
- delasts on lasting jack
- alpha hinge last